Thanksgiving is upon us and it is one of my favorite holidays. No gifts required, is nice these days. We had a sparse harvest but I am thankful none the less. Thank goodness it will no longer matter if it rains here or not, at least until next year when we begin the saga again. I have been painting and experimenting with different paints most of the last part of this year. I am now convinced that there are just phases in an artist's life, where the searching becomes the art itself and the need to search overtakes the need to reproduce. I find myself for lack of a better word, content with the search for something new; a reinvention of my art and self. I find using different mediums helps to diversify my art and to keep me active and alert to the textures and feel of the different mediums and surfaces. Abstraction with symbolism is creeping into the fibers of my art more frequently than not lately.
Oil paint is something I reached for in the past when I wanted to be technically accurate or more detail oriented in my paintings, but now with the addition of the cold wax and the beeswax, oil paint has a whole new meaning in my work. It is now a velvety, matte, opaque road to traverse to get to the heart of what I am expressing in my work. The doors have reopened for me in my non objective work again and it is exciting to re enter that world for a while. There is an edgy contentment or satisfaction in the non objective work, it requires no explanation by the artist. I find with even a hint of realism involved there are questions to be asked by the viewer. I like to retreat to the non objective and just enjoy the shapes and patterns of colors for their existence alone and not for their meaning or symbolism of reference to anything of this earth. The one constant in my work as of late is the lean to the monochromatic palette and sometimes almost colorless paintings. I have worked my way into the earth tones and through them, all the while I am finding the need to layer and excavate my work. I think this is where the shades of grays and neutrals are finding their way into my work. I am finding great joy in mixing and layering colors and hues that cannot be labeled as a known color, but more as a reference to a color or colors. I have worked to make my self use colors that I almost never use, such as tubed greens. I was once told my an instructor years ago, to never use tube greens but to mix my own from yellow and blues..(so I think this is why I am trying to break this rule and prove that once again you must make your own rules or become static). I have begun to enjoy the mixing of colors and layering them with other colors till I reach neutrals that brush at the original colors without ever truly giving way to a named color. Each time I am reminded of water on an oil spill, and how it gives off a wonderful iridescent mish mosh of colors that change and swirl into unending numbers of colors, that is what I am chasing with my palette as of late. I want to make the eye interested in the colors but make the mind have to search for a name for them.
The search for textures that will add to my paintings is the quest I was on in the painting I have included in this blog.I am mixing the non objective with hints of symbolism in an effort to work through my thoughts. In the beginning for my first layer of texture, I mixed some golden soft gel with gesso and textured my kilamanjaro paper. I am not thinking of anything except color at this point in my process, because I know this will be the bottom layer of color and that it will be a platform for building. I felt the need to have some boundaries on my paper so I tore pieces of old watercolors and placed them on the edges of the paper with the soft gel and applied gesso on top of them as a border around the paper leaving an opening at the top and bottom just for variety sake and to visually give a way to exit and enter the piece.
Full Sheet of texture painting for the underpainting.
Detail of a part of the textural underpainting.
Detail of a part of the textural underpainting.
Detail of the textural underpainting
I kept layering and adding textures and then I began to see the textures of the moon. I had the "aha" moment of losing the piece and then finding it again, only to find a deeper more meaningful feel for the painting. The rest is just finessing the shapes and edges and fine tuning the piece. This is the journey for my work, the lost and then found, the travel down an abandoned road of art, the step out into the darkness to find the comforting light of the finished piece. And when it is finished being comfortable enough to know it is only paint and paper or canvas and that the truth of the art is the process. Thank you for reading my blog I hope you have a blessed Thanksgiving and that even if your life and circumstances seem bleak you can stop and give thanks for life and friends. I am going to add on this short video of the textures up close in the painting as I wanted to start using some videos of my work on my blog. I think videos can sometimes show more than just ajpeg of the piece. Take care and have a great month!
Cathy Hegman
www.cathyhegman.com
email: hegmanart@aol.com
All artwork and text included in this blog is copyright protected by Cathy Hegman and should not be reproduced in any form or fashion or used without the written permission of Cathy Hegman. All text and artwork included in this blog are solely the thoughts and original art of the artist, Cathy Hegman, unless otherwise noted, and are meant only to be guidelines and thoughts for others to read.
